If you’ve been following the cover credits of the 113 issues I have featured so far, you’ll notice that many of the covers were illustrated by Ilonka Karasz, including the cover of the April 16, 1927 issue featured in this post.
During her long and varied career Karasz would design 186 covers for the New Yorker. A native of Hungary, she moved to the U.S. in 1913 and settled in Greenwich Village, where she quickly rose to become a prominent practitioner of modern design and the decorative arts.
She created paintings, prints and drawings in her early years before moving on to a variety of machine- and hand-made objects rendered in silver and ceramic. She designed furniture strongly influenced by the European De Stijl movement, and was also a pioneer of modern textile design, even developing textiles for use in airplanes and automobiles.
Beginning in the 1940s Karasz would emerge as one of the country’s leading wallpaper artists. Her younger sister, Mariska Karasz, would also become a noted American fashion designer and textile artist.
The range of Ilonka Karasz’s work is astonishing — from homespun images of rural America to the sleek, hard edges of modern design; from textiles and wallpaper to silver sets and large-scale furniture. Now I will get out of the way so you can see for yourself:
For more on Ilonka Karasz’s amazing career, see the Core77 article, Ilonka Karasz, 20th-Century Design Polymath, by Rebecca Veit.
Next Time: The Castle Builder…
A New Yorker State of Mind 