Above: Wooden Horses(detail) by Reginald Marsh, 1936. Marsh was a frequent visitor to Coney Island, a place that inspired numerous sketches and paintings. (Wadsworth Atheneum Museum of Art)
We officially kick off the summer with a visit to Coney Island, where “The Talk of the Town” took in the latest sights and amusements.
June 16, 1934 cover by Constantin Alajalov.
This excerpted “Talk” piece, attributed either to an “H. Beckett” orFrancis Steegmuller, describes a post-Prohibition Coney Island with liquor to be had (although at only three locations) and new attractions including several imported from the 1933-34 Chicago’s World’s Fair (aka “The Century of Progress”).
CLANKITY CLANK…The mechanical man referred to in the “Talk” piece was likely similar to the one pictured above in this October 1933 feature in Popular Mechanics. Like many “robots” of that era, they were often pictured smoking cigarettes. (Google books)WET YOUR WHISTLE…Beer flowed up and down the boardwalk at Coney Island, but if you wanted something stronger you had to stop by the Half Moon Hotel or one of these establishments, Childs (left) or Feltmans’. (www.coneyislandhistory.org)LEAVE SOME FOR ME…An estimated one million New Yorkers visited Coney Island on July 4, 1934 to get away from the heat of the city. (stuffnobodycaresabout.com)DIFFERING INTERPRETATIONS…In his 1934 painting, Coney Island (left), artist Paul Cadmus portrayed beachgoers as ridiculous and uncouth rabble, while Cadmus’s friend and fellow artist Reginald Marsh took a somewhat kinder approach to the same subject in his 1936 Coney Island (right). (Jon F. Anderson, Estate of Paul Cadmus, licensed by VAGA, obtained via lacma.org / Syracuse University Art Collection)
Of course it wouldn’t be Coney Island without grisly wax museum scenes inspired by the latest sensational headlines…bank robber John Dillinger was still on the run, and “little June Robles” was finally free and apparently unharmed after being kidnapped and locked in a desert cage for 19 days…
THANKS WINDY CITY…At left, the Chicago World’s Fair inspired Coney Island to build a trackless, bobsled-style “flying turns” coaster in Steeplechase Park (the wooden ride was destroyed by fire after only five years of operation). At right, a postcard image of the Eden Musee wax museum. (riverviewparkchicago.com / New York Public Library)ON THE BOARDWALK…Another Coney scene by Reginald Marsh, titled Pip and Flip, 1932. (Terra Foundation for American Art, Chicago Daniel J. Terra Collection via artblart.com)
* * *
Luck of the Irish
The Irish Hospitals’ Sweepstake (more commonly known as the Irish Sweepstakes) was established in 1930 to raise funding for hospitals in Ireland. Although lotteries were generally illegal in the U.S., millions of tickets were sold in the States, many of them in New York and New England. In his “Notes and Comment,” E.B. White wondered what would become of the lottery’s newest American winners, including former Ziegfeld Follies showgirl Alma Mamay, who won $152,000 in the Irish sweepstakes. White might have been pleased to know that Mamay moved to California, married a millionaire oil tycoon, and lived to the age of ninety-one.
CALIFORNY IS THE PLACE YOU OUGHTA BE..Ziegfeld Follies showgirl Alma Mamay took her Sweepstakes winnings and fled to California, where she married a millionaire oil tycoon. (ziegfeldfolliesgirls.com)
* * *
Rugged Individual
Matthew Alexander Henson (1866–1955) was an African American explorer who accompanied Polar explorer Robert Peary to the Arctic seven times, participating in a 1908–1909 expedition that arguably made Henson the first explorer to reach the geographic North Pole. “The Talk of the Town” caught up with Henson on the feat’s 25th anniversary.
GO NORTH YOUNG MAN…At left, Matthew Henson circa 1910. At right, photograph of Henson and four Inuit guides on the last stretch of their 1908–09 expedition, taken by Robert Peary at what they believed to be the North Pole. Henson (center) planted the flag. (Wikipedia)
* * *
POTUS Profiled
Pulitizer Prize-winning historian Henry F. Pringle published the first installment of a three-part profile of President Franklin D. Roosevelt. In this excerpt Pringle writes about FDR’s sense of humor (illustration by William Cotton):
* * *
Mattress Campers
The “About the House” column featured the latest in home-cooling devices. Couldn’t afford the zillions it would cost to install a home air-conditioner? Well the folks at Crosley—an electronics company known for its radios—offered a more affordable solution: an air-conditioned tent that could be erected over one’s bed for $150 (about $3,500 in today’s dollars):
Here is a 1934 ad for the contraption I found at worldradiohistory.com:
…and we continue with more from our advertisers, including the Broadway magazine The Stage, which offered up this idyllic scene showing what folks did in the days before air-conditioning…
…you could also escape the heat by taking to the high seas aboard the Italian liner SS Rex…
…seen below arriving in New York in this 1932 photo, the 911-foot SS Rex was the largest ship built in Italy before World War II…it was destroyed by the British RAF in 1944…
(adventures-of-the-blackgang.tumblr.com)
…you could also cool off like these two old gents, sharing a toast and some Budweisers…
…or you could get yourself a jug of applejack brandy and mix it 1:1 with pineapple juice…not sure who or what is being “saved” here…
…long before there were Nikes or Adidas, golfers could hit the links in a pair of Sportocasins…
…Hupmobile was still hanging in there, enlisting the talents of illustrator Herbert Roese to extol the comforts and the beauty of its “air-line design”… it isn’t clear why it required five middle-aged men to take her on that beautiful ride…
…the real-life bellboy Johnny Roventini made his debut in the New Yorker as the spokesman for Phillip Morris cigarettes…
…Roventini (1910–1998), who stood less than four feet tall as an adult, was working as a bellboy at the New Yorker Hotel when he was discovered by an advertising executive in 1933. Apparently the exec had Roventini shout the line “Call for Philip Morris!” and learned the bellboy could repeatedly, and on cue, vocalize a perfect B-flat tone. Representing the company for more than forty years, he helped Lucille Ball and Desi Arnaz with the initial success of I Love Lucy (Philip Morris was the show’s sponsor)…
WHAT’S HIS LINE?…TV producers Mark Goodson, left, and Bill Todman greet Johnny Roventini during a 1952 radio broadcast of their quiz show, What’s My Line? The program’s sponsor was Phillip Morris. Note Goodson and Todman both hold cigarettes. (Wikipedia)
…by the looks of it, Anne Gould (heiress daughter of Jay Gould II and Anne Douglas Graham Gould) didn’t need anyone to tell her what to smoke…
…on to our cartoons, we continue our birdwatching with Rea Irvin…and we also get…
…high-flying nuptials with Isadore Klein…
…a mismatch with George Price…
…the prospects for war with Otto Soglow…
…marital bliss with James Thurber…
…and a courtship scene, with an expiration date, from Mary Petty…
Above, Stewart's Cafeteria in Greenwich Village, May 1933. (New York Public Library)
Although Sherwood Anderson is mostly known for his short story collections and novels, in the 1930s he also worked as a journalist, and for the June 9, 1934 issue of the New Yorker he explored the “centre of proletarian high life,” Stewart’s Cafeteria in Greenwich Village.
June 9, 1934 cover by Helen Hokinson.
What is particularly interesting about Anderson’s page 77 article for the “A Reporter at Large” column is what it doesn’t report, namely, that Stewart’s Cafeteria (later the Life Cafeteria) was known as a popular gay and lesbian hangout in addition to being a place for gawkers, assorted bohemians, and bohemian wannabes.
Anderson was a man of the world, so he knew exactly what Stewart’s was all about. But even the New Yorker wasn’t in the business of outing anyone, and editor Harold Ross, whose eccentricities included a puritanical strain, would not have allowed anything associated with “sexual deviance” to be printed in his magazine. Here is an excerpt from Anderson’s article, “Stewart’s, On the Square,” in which he subtly hints at the cafeteria’s “third life.”
NIGHT LIFE…Paul Cadmus depicted Stewart’s in this sexually charged painting, Greenwich Village Cafeteria, 1934, oil on canvas,Museum of Modern Art. (All archival images for this entry were obtained via nyclgbtsites.org/site/stewarts-cafeteria)
While Anderson tiptoed around the topic of homosexuality, gossip rags such as Stephen Clow’sBroadway Brevities put it front and center. Described as one of the most vicious show business gossip magazines ever published, Brevities also provided Clow with some side income: Clow and his collaborators often threatened to blackmail wealthy businesspeople and show business figures who frequented places like Stewart’s—outing them in his tabloid unless payment was made.
(McGill Institute via HuffPost.com)
Naturally such reporting helped attract gawkers to Stewart’s and its successor, Life Cafeteria. According to the NYC LGBT Historic Sites Project, “Stewart’s closed in the mid-1930s and was subsequently reopened as the equally popular Life Cafeteria. Regulars included a young Tennessee Williams and Marlon Brando (though they didn’t meet each other until years later on a beach in Provincetown). Of the space, Brando later recalled, ‘The rednecks [on the street] were pointing at the diners like animals in a zoo. I was immediately intrigued and ventured in. Before I left that afternoon, I discovered that many of the homosexual men were actually putting on a show for the jam .'”
ON DISPLAY...According to the NYC LGBT Historic Sites Project, the large plate glass windows at Stewart's (later renamed Life Cafeteria) put gay life on full display to the late-night crowds who frequented the busy intersection. Artist Vincent La Gambina depicted one scene that gawkers might have taken in: Life Cafeteria, Greenwich Village, 1936. (Museum of the City of New York)TODAY, the building still stands, although it is a bit less lively as a home for a CVS store and a Bank of America branch. Just around the corner is the famed Stonewall Inn. (Google Maps Image)
According to the NYC LGBT Historic Sites Project:
...in 1935 the manager of Stewart’s was convicted of operating a “public nuisance” and “disorderly house” and “openly outraging public decency” by allowing objectionable behavior in the interior and large crowds to gather outside. Specifically, the district attorney’s complaint cited “certain persons of the homosexual type and certain persons of the Lesbian type, to remain therein and engage in acts of sapphism and divers [sic] other lewd, obscene, indecent and disgusting acts” and that the cafeteria was “used as a rendezvous for perverts, degenerates, homosexuals and other evil-disposed persons.” Much of the testimony centered on the gender non-conforming dress and behavior of the patrons.
Here is another excerpt from Anderson's article, where he delves into the nighttime scene at Stewart's:
* * *
Nightlife, Part II
In my previous post E.B. White pondered the fate of the Central Park Casino, a favorite haunt of deposed Mayor Jimmy Walker and other members of the smart set who openly flouted Prohibition laws. In "Tables for Two," Lois Long made this observation (below) at the conclusion of her nightlife column, believing that Parks Commissioner Robert Moses would give the management a chance to lower food prices and allow common folks to enjoy its sumptuous atmosphere. Little did she know that Moses was feasting on a diet of revenge rather than food, and had plans to tear the place down, regardless of its lower prices.
* * *
From Our Advertisers
We kick off the ads with another Ponds celebrity endorsement from dancer and actress Francesca Braggiotti (1902-1998), who was married to actor, politician, and diplomat John Davis Lodge...
POWER COUPLE...John Davis Lodge and Francesca Braggiotti in 1932. They were married for 56 years. (Pinterest)
...Dr. Seuss was back with more ads for Flit insecticide...he was still two years away from his first children's book: And to Think That I Saw It on Mulberry Street...
...and with a splash of color, Bermuda beckoned New Yorkers to a "Real Vacation"...
...however, before you headed to Bermuda, you'd needed to do something with the kids...
...on to our cartoonists, we start with spot art from Abe Birnbaum...
...Birnbaum again with an illustration of boxer Max Baer for the profile section...
...more spot art from James Thurber in the "Goings On About Town" section...
...and Thurber again with some alarming news for a potential suitor...
...Rea Irvin kicked off his series, "Our Native Birds"...
...a famed advertising agency launched a new door-to-door survey, per Perry Barlow...
...Helen Hokinson gave us a hopeful gardener...
...Barbara Shermund looked in on the "modern girl" scene...
...and Peter Arno examined a sad medical case...
...and we close the June 9 issue with this item from E.B. White, who commented on a recent rally of American Nazis and some fighting Irish...
...the Nazi rally was also alluded to in the June 2 issue (I have the issues reversed this time to support the narrative)...
June 2, 1934 cover by Harry Brown.
...where Howard Brubaker was keeping things light in his column "Of All Things." I was surprised how little was mentioned in either issue about the meeting of 20,000 Nazi sympathizers on May 17, 1934, at Madison Square Garden.
Let's explore further: According to the Jewish Virtual Library, America's first established anti-Nazi boycott group was the Jewish War Veterans (March 19, 1933), followed by the American League for the Defense of Jewish Rights (ALDJR), which was founded by the Yiddish journalist Abraham Coralnik in May 1933. By 1934 the ALDJR was led by Samuel Untermyer, who changed the organization's name to the "Non-Sectarian Anti-Nazi League to Champion Human Rights." Nazi sympathizers targeted Untermyer as the face of boycott efforts, and at the May 17 rally the mere mention of his name prompted shouts of "Hang him!"
AMERIKA...The site for hockey games and dog shows became a site for ugliness on May 17, 1934, when 20,000 Nazi sympathizers gathered in Madison Square Garden to denounce boycotts against Adolf Hitler's regime. (The Archive Project)
This excerpt from the May 18, 1934 edition of The New York Times gives some idea of what transpired at the rally:
REALLY? Americans gathered at Madison Square Garden on May 17, 1934 to show their support for Nazi Germany and denounce American boycotts. (The Archive Project)
* * *
Dueling Muses
Film critic John Mosher always seemed upbeat about anything involving Disney, but given that animation was still in its infancy (its plastic trickery still rather novel), it didn't take much to outshine the otherwise drab fare (the "Grim") being coughed up by Tinseltown.
MAN OR MOUSE? The star-studded cast of Hollywood Party included Jimmy Durante, seen here duking it out with Mickey Mouse. (IMDB)
The grim included the Pre-Code drama, Upper World, about a rich, married man who falls to his ruin via a romance with a stripper (don't they always?), and Now I'll Tell, another Pre-Code drama, this one loosely based on the doings of racketeer and crime boss Arnold Rothstein.
SHAKE IT WHILE YOU CAN...Ginger Rogers performs “Shake Your Powder Puff” in a burlesque show in the film Upper World, one of the last of the Pre-Code dramas. It featured Warren William as a wealthy married railroad tycoon whose friendship with a showgirl (Rogers) leads to blackmail and murder; at right, five-year-old future child star Shirley Temple with Spencer Tracy in Now I'll Tell, which was loosely based on the autobiography of Carolyn Green Rothstein, wife of New York gambler Arnold Rothstein. Temple's role was a minor one, however her appearance in the musical Stand Up and Cheer!, which was released a month earlier, would make her a star. (IMDB)
* * *
More From Our Advertisers
We cool off by a taking a dip in the pool...er, rather by enjoying the "No Draft Ventilation" of a car body by Fisher...the model might want to stay in the pool, since air-conditioning in cars was still a good twenty years away...
...and yes, this is also a car-related ad, if you can believe it, the bride looking forward not to years of wedded bliss but rather her new La Salle (a Cadillac product)...
...another bride, and a car...is that a car body by Fisher? Who cares, the wedding is over and its time to fire one up...
...this woman seems to have it all thanks to Daggett & Ramsdell of Park Avenue, who are prepared to coat her in a "complete range of all the essential creams, lotions, face powder...cold cream soap, dusting powder" etc. etc....
...Dr. Seuss again for Flit, with baby in tow...
...on to our cartoons, we have Robert Day checking on the progress at Mt. Rushmore...
...Alan Dunn reveals pandemic worries of a different nature...
...and we close with Helen Hokinson, and a sudden change of mood...
The penitentiary on Blackwell's Island, later named Welfare Island, in the 1910s. Today it is known as Roosevelt Island. (NYC Municipal Archives)
Until the reform Mayor Fiorello La Guardia took up the reigns at City Hall in 1934, weak or non-existent leadership in city government, coupled with Tammany graft and corruption, had allowed all sorts of institutions to go off the rails.
May 26, 1934 cover by Constantin Alajalov.
The New York City Department of Corrections was a prime example, so La Guardia tapped the no-nonsense assistant director of the Federal Bureau of Prisons, Austin H. MacCormick (1893–1979) to clean up Corrections, and MacCormick didn’t waste any time going after the No. 1 target: Welfare Island. Previously known as the notorious Blackwell’s Island, MacCormick described its cellblocks as a “vicious circle of depravity” unfit for humans, a place where some inmates lacked basic food and shelter while others, including a pack of gangsters and thugs who essentially ran the place, lived in grand style.
In late January, 1934, MacCormick led a well-organized raid on Welfare Island, finding littered cells full of drug addicts and large caches of weapons. According to an account in Time (Feb. 5, 1934), sixty-eight prisoners virtually ran the place. “They cowed their guards through outside political influence. They sold to some 500 inmates the best of vegetables and meats. Star boarders prepared this food in their own cells, and the prison library of more than 1,000 volumes had entirely vanished as cooking fuel. Since the food was looted from the prison commissary, the other 1,200 prisoners virtually starved on greasy cold stews.”
In his profile of the “The Four-Eyed Kid,” Arthur C. Bartlett attempted to shed some light on what made this stubborn Scotsman tick. Excerpts:
KIBOSH…After taking office in January 1934, New York’s Commissioner of Corrections Austin H. MacCormick wasted no time in cracking down on the vice and corruption that was rampant on Welfare Island (pictured at right in 1934). (ceanational.org/NYPL)INSIDE JOB…Mobster Joie Rao lived a lavish lifestyle while incarcerated at Welfare Island. Wielding more power and authority than the warden himself, Raio fed steak to his pet dog and maintained a staff of servants to cater to his every whim. Not that the warden had it all that rough; his home (at right) featured an in-ground pool. (Pinterest/rihs.us)READ ALL ABOUT IT…The New York Daily News (left) and the New York Times offered extensive coverage of the raid in their Jan 25, 1934 editions. (Pinterest/NY Daily News/NYT)
MacCormick literally wrote the book on prison reform. His The Education of Adult Prisoners (1931) called for the introduction of fundamental academic education in prison systems that would provide inmates with the intellectual tools needed for everyday life. His “four goals” included vocational, health, cultural and social education.
MacCormick broke up the gangster ring at Welfare Island and eventually transported its remaining inmates to the newly built prison at Rikers Island. The Welfare Island prison was torn down and replaced by Goldwater Hospital, today the Coler Specialty Hospital on Roosevelt Island. For a little more insight into MacCormick’s tactics, here is the conclusion to Bartlett’s profile:
ALL ABOARD…Welfare Island (now Roosevelt Island) was once accessible by taking a trolley halfway across the Queensboro bridge, where passengers would take an elevator (contained in the structure in the top image) down to the island. (Greater Astoria Historical Society/rooseveltislander.blogspot.com)
* * *
You’re Next
Last week we looked at Robert Moses’s plans for Riverview Park, which would quickly sweep away the yacht clubs on the Hudson. Another playground for the rich, the Central Park Casino, would soon be next, as E.B. White correctly surmised.
STICKER SHOCK…It has been suggested that Robert Moses determined to tear down the Central Park Casino after being presented a $27 dinner bill for four persons (roughly $500 today), but in reality Moses hated the Casino’s most famous denizen, the deposed Mayor Jimmy Walker. It’s too bad Moses didn’t appreciate the Joseph Urban’s stunning interiors (the ballroom, right), that crumbled with the building when it was razed in 1936. (NYC Department of Parks & Recreation)
* * *
Schenck’s Schlock
In the 1920s and 30s documentary and docudrama filmmaking was still in its infancy, and for every Nanook of the North (1922)—still considered one of the best documentary films of all time—there were dozens of schlocky films like Harry Schenck’sBeyond Bengal, reviewed here by John Mosher for the New Yorker.
The film must have made quite an impression around the New Yorker’s offices, or at least one particular scene that depicted a British scientist, a “Miss Joan Baldwin,” coming down with a fever, rather unconvincingly. Both Mosher and E.B. White (below) found her performance intriguing:
WHAT A CROC…Clockwise, from top left, movie poster for Beyond Bengal; early in the film a scientist, “Miss Joan Baldwin,” is suddenly (and unconvincingly) seized by tropical fever—the remainder of the film entails Harry Schenck’s attempt to return Baldwin to civilization; Schenck accompanies Baldwin across a crocodile-infested river, shooting at anything that moves while the “natives” swim ahead, perilously clearing a path through the sea of crocs; back in civilization, Schenck and Baldwin prepare to head home. The whole film is available on YouTube, if you’re up for that sort of thing. (IMDB/YouTube)
* * *
From Our Advertisers
We kick off with the latest installment from Lucky Strike, and another smartly dressed customer…
…the silk merchants struck back against the synthetics with this splash of color…
…the makers of Kingsbury Pale offered up some color of their own, although the illustration itself is a bit strange, what with the molten bubbles in the beer bottles, the bejeweled, disembodied arm that somehow supports them, and the woman who isn’t even looking at the beer…perhaps she was hoping for a cocktail or Champagne…
…there’s no doubting this fellow’s enthusiasm for a glass of Rheingold…
…Wamsutta Mills enlisted the aid of a “fat man” to prove the durability of their sheets…
…and what drives a man to commit murder? In this case, neglecting to pay the extra two cents for leaded gasoline…
…I wonder if the Hays Code extended to advertising…looks like the new “Neo-Angle Bath” caused the folks at Standard Sanitary Manufacturing to lose their inhibitions…
…on to our cartoonists, we begin with some spot art by Doris Spiegel (1901-1996), who was especially known for her depictions of street life…
…George Price supplied this bit of merriment for the event listings…
as did James Thurber…
…Thurber again, this time baring it all…
…it appears that same day delivery, for even a mere trifle, is nothing new…per Gardner Rea…
…Alain (Daniel Brustlein) gave us a film editor with the sad task of censoring Joan Blondell…
…tame by today’s standards, this 1932 promotional photo of Blondell for the film Three on a Match was later banned by the Motion Picture Production Code…
…and we close with Perry Barlow, and more wisdom from the mouth of babes…
Power broker Robert Moses always made sure he was few steps ahead of any possible opposition to his grand development plans in and around New York City. That included the yacht clubbers along the Hudson River, who were more or less erased from the scene by Moses in one fell swoop.
May 19, 1934 cover by Ilonka Karasz.
The Upper West Side’s Columbia Yacht Club probably thought it was just swell that the city was dumping waste and rock along the shores of the Hudson River, since it eventually created driveway access for members who previously had to access the club via a footbridge over the New York Central’s tracks. What hadn’t occurred to them was that nearly 25 years-worth of infill had also created a new strip of land that extended from 79th to 96th street, land that Moses envisioned as an expansion of Riverside Park (and the abrupt end of the West Side yacht club scene). “The Talk of the Town” explained:
LOCATION, LOCATION…Two views of the Columbia Yacht Club at West 86th Street, circa 1930. The club was razed to make room for Robert Moses’s expansion of Riverside Park. Moses’s ambitious project, which cost twice as much as Hoover Dam, put the train tracks underground and topped the park with the Henry Hudson Parkway. (newyorktoursbygary.blogspot.com/NYPL Digital Collections)HEADS UP…Elsie Henneman dives into the water near the Hudson River Yacht Club, circa 1930. Located at the foot of West 74th Street, the club moved onto a barge at 145th Street to escape Moses’s park expansion plans, but it was eventually banished from the West Side. (Reddit)
* * *
Ode to the Road
We now shift gears to E.B. White, who was poetically inspired by an advertisement in the Herald Tribune that featured Prince Alexis A. Droutzkoy (a member of the exiled White Russian colony in New York) praising the “magic silence” of the new “Dodge Six” automobile:
SILENCE OF THE CAMS…The 1934 Dodge Six. (detail from a vintage ad)
* * *
Führer’s Filmmaker
The ability (or inability) to separate art from an artist’s personal conduct or beliefs has been a particular topic of the last two decades, given the litany of stars who have been “cancelled” despite the quality or importance of their work. The work of German filmmaker Leni Riefenstahl (1902–2003), still debated nearly ninety years after her collaboration with Nazi leaders, demonstrates the fine line many a film historian or critic must walk when assessing the career of an innovative artist (for an American example, see filmmaker D. W. Griffith). Riefenstahl’s 1932 film, The Blue Light (Das blaue Licht), made prior to her Nazi collaborations, was praised for its beauty by American critics, including the New Yorker’sJohn Mosher, when it was released in the U.S. in 1934.
The Blue Light also captivated Adolf Hitler, who saw the attractive and athletic Riefenstahl as an ideal of Aryan womanhood. A subsequent meeting with Hitler would result in Riefenstahl’s controversial 1935 Nazi propaganda film Triumph of the Will (Triumph des Willens). We will explore that film, and Riefenstahl’s role, in a later post.
CAREER MOVE…Clockwise, from top left, Leni Riefenstahl demonstrated her acting ability, athleticism and filmmaking talents in 1932’s The Blue Light (Das blaue Licht); Riefenstahl filming in Nuremberg during the 1934 Nazi Party congress—the footage was used in 1935 Nazi propaganda film Triumph of the Will; working at a film cutting table, 1935; with Adolf Hitler at Nuremberg, 1934. (IMDB/Library of Congress/UTK Cinema Studies/The Irish Times)HI HITLER…Nazi propaganda minister Joseph Goebbels and Adolf Hitler pay a visit to Leni Riefenstahl at her Berlin estate, circa 1937. (Roger-Viollet)
* * *
From Our Advertisers
We begin with more Carl “Eric” Erickson-inspired artwork, here promoting the bygone elegance of transatlantic travel…
…perhaps a bit less upscale but still pretty nice, the “Santa” line of ships operated by the Grace Line between New York and Latin America included air-conditioned interiors paneled with aluminum (a fireproofing measure) and spacious cabins with private baths that faced to outside…
…this ad must have been a happy sight to folks who had to endure more than a decade of bootleg Scotch during Prohibition…
…Smirnoff vodka had its origins in 1860s Russia, capturing two-thirds of the Moscow market by the mid-1880s…forced to leave Russia in 1904 after the Tsar nationalized the Russian vodka industry…Smirnoff relocated to Turkey, then Poland, and then Paris, each time with limited success…at the end of Prohibition the brand relocated once again to a distillery in Bethel, Connecticut, hence this advertisement…
…the habanero pepper has been used to infuse everything from tequila to vodka to whiskey…this particular product was marketed as something new that could be mixed with a variety of spirits or topped up with club soda or ginger ale…
…I include this ad from the maker of Spud cigarettes for its sheer audacity…it claims your mouth will feel dewdrop fresh after an entire day of smoking menthols…
…stunt driver Billy Arnold was one of the “Hell-Drivers” Chrysler employed to tout the safety of its low-priced Plymouths at promotional events…
…including Chicago’s “Century of Progress”…below, a crowd watches Arnold take his Plymouth for a roll and emerge unscathed…
…the folks at Redi-Spred employed a murder theme to promote their “Pâté de Foie”…which foie was used…duck, goose or lord knows what, is not specified…
…the signature is muddled, but this looks like another illustration by Herbert Roese, who never published a cartoon in the New Yorker but sure had its style down, especially Peter Arno’s…
…Harold Ross’s high school friend and cartoonist John Held Jr. was a frequent contributor to the New Yorker from 1925 to 1932 (he also contributed to Life, Vanity Fair, Harper’s Bazaar), but when demand for his Jazz Age cartoons and illustrations fell off in the 1930s, he turned to painting and illustrating children’s books. So it was a surprise to catch this glimpse of Held’s work in a one-column ad promoting a Held-drawn map of New England inns…
…speaking of elusive illustrators, I am often challenged to discover the identities of spot illustrators in the early issues…this one appears to be signed by “Maurice Dreco”…
…the signature on this one looks like “Saphire,” but again, it is not clear…
…but there is no doubt this little gem is by Daniel ‘Alain’ Brustlein…
…which leads us to Richard Decker, and a hostage situation gone flat…
…and Decker again, with a back-handed compliment…
…James Thurber was in his familiar world of dogs and battling sexes…
…Mary Petty found some good news on the dentistry front…
…Otto Soglow’s Little King believed more is merrier…
…and we close with William Crawford Galbraith, and a wedding day surprise…
A New Yorker State of Mind 