Henry Daniell – A New Yorker State of Mind

Above: The Morris B. Sanders Studio and Apartment is the second-oldest modern townhouse in Manhattan. Sanders designed the townhouse, located on 49th Street between 2nd and 3rd Avenue, in 1934 for his own use, and construction was completed in December 1935.  (Wikipedia/docomomo-nytri.org)

Today we barely notice the tens of thousands of shiny glass buildings that populate our cities, not to mention the countless postwar houses that feature vast expanses of glass from floor to ceiling.

April 11, 1936 cover by **Helen Hokinson.**

In 1936 a house made of glass, especially as a structural element, seemed unlikely to most folks, if not downright bizarre. Enter Lewis Mumford, arts and architecture critic for The New Yorker, who was critical of many modern industrial trends and often promoted his ideal of human-scaled, organic design in buildings and cities. Mumford was not opposed to new technologies, such as glass block, as long as it was employed with sensitivity and good taste. Here are some of Mumford’s observations after visiting the American Glass Industries Exhibition at the Brooklyn Museum:

NEW NEIGHBOR…**Morris B. Sanders’** studio and apartment at 219 East 49th Street in Turtle Bay boldly interrupted a stodgy row of brownstones. **Lewis Mumford** pronounced the 1936 building “very handsome.” The New York City Landmarks Preservation Commission designated the building as an official landmark in 2008. (curbed.com/Wikipedia)

The Sanders House wasn’t the first time a brownstone was replaced by a modernist building. That honor goes to another Turtle Bay-area house, just one block from the Sanders house, designed by architect William Lescaze in 1933-34.

ODD COUPLE…Designed by **William Lescaze** in the International Style between 1933 and 1934 as a renovation of a 19th-century brownstone townhouse, 211 East 48th Street was one of three houses in Manhattan designed by Lescaze. (atlasobscura.com/inside inside.org)

The Brooklyn Museum exhibition also included commercial examples such as one of the world’s first buildings to be completely covered in glass, the Owens-Illinois Glass Research Laboratory in Toledo, Ohio. Mumford also commented extensively on the new uses of glass in Times Square, namely the rebuilt Rialto Theatre and a Childs restaurant located next door. Excerpts:

THINGS TO COME…Clockwise, from top left, the Owens-Illinois Glass Research Laboratory in Toledo, Ohio, built between 1935 and 1936, is recognized as one of the world’s first buildings to be completely covered in glass, utilizing glass blocks for the facade; **Lewis Mumford** was less impressed with the use of glass by the newly rebuilt Rialto Theatre, but praised the new Childs location next door for being full of “vitality and color.” *(facebook.com/dinerhunter.com)*

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Down on Il Duce

Last week we saw Robert Benchley’s review of the anti-war play, Idiot’s Delight. This week he reviews another play with themes that resonated in the moment, Bitter Stream. Written by Victor Wolfson and adapted from Ignazio Silone’s novel, Fontamara, the play depicted the horrors of fascism as Mussolini’s Black Shirts brutally seize an Italian neighborhood. It featured relative newcomer Lee J. Cobb as well as Frances Bavier, who twenty-four years later would portray Aunt Bee on The Andy Griffith Show. Excerpts:

TROUBLE IN SUNNY ITALY…A scene set in Fontamara Square in the play *Bitter Stream*, which ran for sixty-one performances at the Civic Repertory Theatre. At right, **Lee J. Cobb** portrayed Don Circonstantza, and **Frances Bavier** played the part of Soreanera. Bavier is best known for her portrayal of Aunt Bee on The Andy Griffith Show (1960-1968). (revolutions newsstand.com/facebook.com)

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Sick Leave

Also last week we saw the first part of Edmund Wilson’s account of his travels in the Soviet Union. For the April 11 installment of “A Reporter at Large” (titled “Scarlet Fever in Odessa”), Wilson recounted his six-week stay in a filthy Soviet hospital. Excerpts:

WANTING OUT…**Edmund Wilson** couldn’t wait to get out of the “terribly dirty” Odessa hospital where he was quarantined with scarlet fever for six weeks. At left, photo by **Margaret Bourke White**, “In a Hospital Waiting Room, Moscow,” 1932. At right, Wilson in 1936. (nyamcenterforhistory.org/Wikipedia)

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Gall in Gaul

In her Paris Letter, Janet Flanner continued to share her observations about the French mood (agitated) in the wake of the German occupation of the Rhineland.

HOW ABOUT A NICE DITTY INSTEAD?…**Janet Flanner** reported that there was a “near riot” when a performance at the Paramount Theater (left) included “military music.” At left, the Paramount in 1927; at right, a Popular Front demonstration in Paris, 1936. *(Wikimedia/Bibliothèque nationale de France)*

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At the Movies

Little Lord Fauntleroy was Selznick International Pictures’ most profitable film until Gone with the Wind, and it featured one of the top child stars of the 1930s, English-American child actor Freddie Bartholomew (1924–1992). However, New Yorker film critic John Mosher was “bored to extinction” by the popular film.

SLUMMING…At left, **Freddie Bartholomew** and **Mickey Rooney** in *Little Lord Fauntleroy*. Rooney once said of Bartholomew: “He was one of the finest, if not the finest child stars that we had on the scene at that time”; at right, **Aubrey Smith, Bartholomew** and **Dolores Costello** in a scene from the film. (MGM/Wikipedia)

One of Hollywood’s greatest screen villains, English actor Henry Daniell, caught Mosher’s attention for his “smooth” performance as a blackmailer in The Unguarded Hour. The critic also enjoyed the thriller The House of a Thousand Candles, but was left flat by Give Us This Night.

A MANNERED SCAMP was how **John Mosher** described one of Hollywood’s greatest screen villains, English actor Henry Daniell (right) in *The Unguarded Hour*, which also starred (at left) **Loretta Young** and **Lewis Stone**. *(imdb.com/facebook.com)*

THRILLS AND TRILLS…Top photo, **Mae Clarke** and **Phillips Holmes** in the spy thriller *The House of a Thousand Candles*; below, *Give Us This Night* was one of five films produced by Paramount that featured the popular Metropolitan Opera mezzo-soprano **Gladys Swarthout,** seen here with Polish opera singer and actor **Jan Kiepura.** *(imdb.com/mabumbe.com)*

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