E.B. White gazed 50 years into the future in the Sept. 21, 1929 issue, predicting that New York City would be much the same if not a little worse by the time the calendar turned to 1979.

White dismissed the popular notion that the future would be one of push-button happiness and gleaming white cities. And as it turned out, he was mostly right on the mark with his predictions:

Instead of the antiseptic fantasy world predicted in such movies as 1930’s Just Imagine (a futuristic musical set in 1980), White correctly foresaw a city that, despite technological advances, would still be a gritty rat race. And if you lived in New York City in 1979 (I was but a visitor then, as now), you would have found a city that indeed was quite dirty and crime-ridden (check out the 1979 movie The Warriors to get a sense of how Hollywood perceived the city at that time). As White observed, “Prophets always leave out the eternal mud”…

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Cradle of Civilization
Dorothy Parker took aim at ugly Americans abroad in a casual titled “The Cradle of Civilization.” In these excerpts, Parker commented on the pretensions of young New Yorkers in France, including their ridiculous costumes…
…their bad French, and their even worse manners…

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A Penny Saved
Back stateside, Wolcott Gibbs looked in on the dying art of the penny-arcade peepshow, and expressed his disappointment with the quality of that product in general…

Gibbs seemed particularly miffed by a film with the misleading title “For Men Only”…
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Uncle Jed
Jed Harris (1900-1979) was a wunderkind of Broadway, producing and directing 31 shows between 1925 and 1956. Before he turned 28 he produced a record four consecutive Broadway hits over the course of 18 months (including the 1928 smash hit The Front Page), and so it was time for some rest. “The Talk of the Town” reported…
Although it was rumored Harris would retire at age 30, he would instead return in the spring of 1930 with a production of Anton Chekhov’s Uncle Vanya, and continue producing on Broadway through the 1950s.

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Dueling Cassandras
About a month before the big stock market crash we find this curious little item in Howard Brubaker’s “Of All Things” column…
…Considered the first “celebrity economist,” Irving Fisher stated in September 1929 that the stock market had reached “a permanently high plateau,” while around the same time (Sept. 5, 1929) rival economist Roger Babson warned in a speech that “sooner or later a crash is coming, and it may be terrific.” Note: “Ben Bolts” refers to a character in a popular 1842 poem that became an oft-parodied popular song. Each stanza begins with a variation of “Oh don’t you remember…”
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Parental Advisory
Fifty-five years before Tipper Gore and the Parents Music Resource Center pushed the music industry to place warning labels on records containing explicit lyrics, there was much ado about “lascivious lyrics” uttered on “race records” — the term referred to 78-rpm records marketed to African Americans from the 1920s and 1940s. The Sept. 21 “Popular Records” column looked at the controversy surrounding Ethel Waters’ “Second Handed Man,” and didn’t find any…

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New Kids on the Block
Architecture critic George S. Chappell (aka “T-Square”) concluded his Sept. 21 column with praise for the designs of the yet-to-be-built Daily News and Chrysler buildings, but expressed dismay at the recently completed Lincoln Building…

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Movie critic John Mosher took in a couple of new films including Paramount’s 1929 pre-Code drama Jealousy…

…and Mosher also reviewed the musical drama The Great Gabbo, which was derived from a story by occasional New Yorker contributor Ben Hecht…

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From Our Advertisers
What appeared to be an unassuming ad from General Motors was actually a plan for world domination, at least in the area of ground transportation. GM gobbled up a number of car companies in the 1920s (see the ad’s fine print) as well as shares in power plants and home appliances. It would overtake Ford in sales in the late 1920s, and thanks to propaganda efforts including those illustrated in the ad below, it would lead a streetcar removal conspiracy that would destroy intercity train transport systems across the U.S. (and convert them to GM buses, naturally)…
Here we have yet another “distinguished handwriting contest” ad from the makers of Marlboro, this time exploiting the efforts of Corinne B. Riley of Sumter, S.C….
…Riley would win more than a handwriting contest, however. She would be elected as a Democrat to Congress in 1962 to fill a vacancy left by her husband, Congressman John Jacob Riley.

On to our illustrators and comics, we begin with this two-page drawing by Reginald Marsh that appeared along the the bottom of “Talk of the Town” (click to enlarge)…
…Gardner Rea lent his spare style to this peek into Wall Street…
…Peter Arno appeared to be experimenting with yet another style of drawing…
…that is in some ways looked similar to Alan Dunn’s…
…the British cartoonist Bruce Bairnsfather provided this sumptuous drawing of an exchange at a card shop…
…and I. Klein gave a vertiginous perspective to home buying…
Next Time: Frigidity in Men…
“Ode to Peter Stuyvesant” isn’t by Wodehouse, it’s by Philip G. Wylie.
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John, thanks so much for catching that. I will make the correction!
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