Tugboat Annie

New Yorkers were enduring the dog days of August, and those who couldn’t escape the heat by fleeing to the country or the beach could find cool respite at the movies.

August 19, 1933 cover by Gardner Rea.

It was doubtless in an air-conditioned theatre where critic John Mosher enjoyed the craft of older actors, in this case Wallace Beery and Marie Dressler in Tugboat Annie. Although the film didn’t quite live up to Beery and Dressler’s 1930 smash hit, Min and Bill, Mosher found Beery to be a “beautiful foil” to Dressler, who thankfully wasn’t just another “fluffy little pink young thing.”

ON GOLDEN POND…Wallace Beery and Marie Dressler portrayed a comically quarrelsome older couple who operate a tugboat in MGM’s Tugboat Annie. It would be one Dressler’s last film roles—she would die the following year; at right, a young Robert Young with Dressler in a scene from the film—Young would go on to television fame playing two beloved characters: the father in Father Knows Best (1954-60) with fellow film star Jane Wyatt, and the kindly, avuncular doctor on Marcus Welby M.D. (1969–76). (IMDB)

Another seasoned performer Mosher admired was Mary Boland, although her latest film, Three Cornered Moon, was crowded with “too many young people”…

BRAT PACK…Mary Boland (left) with Wallace Ford, Claudette Colbert, and Hardie Albright in Three Cornered Moon (IMDB)

MONKEYING AROUND…A self-described “King of the Serials,” Buster Crabbe’s career included nine sound serials, including Flash Gordon and Buck Rogers (1936-40). In Tarzan the Fearless Crabbe’s sole appearance as Tarzan was played opposite Jacqueline Wells (aka Julie Bishop). The media at the time made hay of a so-called rivalry between Crabbe and Johnny Weissmuller, who defined the Tarzan role in twelve films from 1932 to 1948. Both men were Olympic athletes: Crabbe won the 1932 Olympic 400-meter freestyle swimming championship, while Weissmuller was the undefeated winner of five Olympic gold medals. (IMDB)

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From Our Advertisers

The folks at Hoffman Beverages continued to offer up ways to enjoy an adult refreshment, including a tongue-in-cheek “code” to be used until the repeal of Prohbition…

…with the return of legal (3.2) beer, brewers were aggressively targeting women as a new growth market…

…a selection of one-column ads from the back pages touted imported beers and an old “Pennsylvania Dutch” quaff, intermixed with apartment ads and a women’s deodorant called SHUN…

Otto Soglow, who would become rich and famous with his The Little King strip, also did well as an illustrator for various products, including Rheingold beer…

…another way to stay cool was to dine at Longchamps, thanks to their “scientific air-conditioning system”…

…on the subject of keeping cool, back in the day you had to regularly top off the radiator on hot days, and if you added lead to your gasoline you could also get rid of those annoying hot engine knocks…

…It would be four years before Dr. Seuss would publish his first children’s book, so he continued to pay the bills with illustrated ads for Flit insecticide…ah the good days when spraying poison above a child’s head seemed perfectly reasonable…

…another one-column ad from the back pages says a lot about how advertisers perceived a New Yorker reader—even dog food demanded snob appeal…

…on to our cartoons we return to Otto Soglow and his take on the old William Tell trope…

Peter Arno delivered some surprising news to dear old mom…

Henry Anton gave us a sign man unconvinced that sex sells…

Gluyas Williams gave us his latest take on “Fellow Citizens” (this originally appeared sideways on p. 17)…

…and Garrett Price shared this observation, from the mouth of babes…

…on to Aug. 26…

Aug. 26, 1933 cover by Perry Barlow.

…where we find Ring Lardner, who since March had been injecting humor into the “Over the Waves” radio column.

In this installment, Lardner outlined his ideal radio program. An excerpt:

UP TO OLD GAGS?…Ring Lardner gave the comedy duo Jack Pearl (right) and Cliff Hall a generous four minutes in his fantasy radio show—if they did their old routines. (Wikimedia)

Lardner concluded his dream program:

Sadly, Ring Lardner would be gone in less than a month—he died of a heart attack on Sept. 25, 1933, at the tender age of 48.

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On Second Thought

Previously, film critic John Mosher had been lukewarm to the up-and-coming Katharine Hepburn. No more. Her appearance in Morning Glory drew praise from all over, including the Academy, which gave the young star her first Oscar.

A STAR IS BORN…Katharine Hepburn with Douglas Fairbanks Jr. (left) and Adolphe Menjou in Morning Glory (1933). Hepburn would win the Oscar for Best Actress in a Leading Role, the first of four she would receive in that category—a record for any performer. (IMDB)

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Life With Clarence

Following “The Talk of the Town” section was this illustrated contribution by Clarence Day

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More From Our Advertisers
While folks were cooling down at the movies Barbara Stanwyck did her best to heat up the screen…

…the frank discussion of sex in Baby Face made it one of the most notorious films of the year and no doubt hastened the implementation of the Hays Code…

LIGHT MY FIRE…Barbara Stanwyck in Baby Face.

…in case anyone had forgotten during Prohibition, Budweiser reminded them who was the king of beers with this inside front cover ad…

Irvin S. Cobb was back on behalf of Hupmobile, the struggling carmaker hoping that a bit of humor would boost sales…

…this ad from Reo not only lacked humor, it lacked the car itself…

…too bad, because the 1933 Reo Royale was a beauty…

…more color ads from our cigarette manufacturers Camel…

…and Chesterfield…

…why, it’s Barbara Stanwyck again, this time in color, thanks to the folks at Powers Reproduction…

…and Otto Soglow again for Rheingold beer…

…and on to the cartoons, with Soglow’s Little King…

Carl Rose demonstrated the perils of attending theatre in a barn…

Robert Day found a Hebrew lifeguard at Coney Island…

…and we end with another by Day, with a twist on America’s Pastime and a subtle plug for the National Recovery Administration…

Next Time: The Shape of Things to Come…

Published by

David O

I read and write about history from the perspective that history is not some artifact from the past but a living, breathing condition we inhabit every moment of our lives, or as William Faulkner once observed, "The past is never dead. It's not even past." I read original source materials, such as every issue of The New Yorker, not only as a way to understand a time from a particular perspective, but to also use the source as an aggregator of various historic events. I welcome comments, criticisms, corrections and insights as I stumble along through the century.

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