Mosher’s Monster

James Whale’s 1931 Frankenstein remains one of the most iconic horror films of all time, not only setting a standard for monster movies to come, but creating one of popular culture’s most enduring characters.

Dec. 12, 1931 cover by Theodore Haupt.

The New York Times film critic Mordaunt Hall called the film “far and away the most effective thing of its kind,” and the public agreed, making it a box office success. The New Yorker’s John Mosher, on the other hand, was among the crowd with a more literary bent, preferring Mary Shelley’s 1818 novel by the same name to the film adaptation. He dismissed Whale’s Frankenstein with this brief review:

THIS WON’T HURT A BIT…Dr. Waldman (Edward Van Sloan) prepares to destroy Henry Frankenstein’s monster (Boris Karloff), but he is stopped short of his goal when the monster awakens and strangles him to death. (IMDB)
SOME ASSEMBLY REQUIRED…Henry Frankenstein (Colin Clive) meets up with his creation in 1931’s Frankenstein. (IMDB)
I WISH HENRY WOULD FIND A NEW HOBBY…Henry Frankenstein’s fiancée Elizabeth Lavenza (Mae Clarke) is confronted by the monster (Boris Karloff) in 1931’s Frankenstein. (IMDB)
ALL IN A DAY’S WORK…Boris Karloff takes a break between scenes. (mashable.com)

One thing Mosher did like about the film was the makeup applied to Karloff, and it would be a look that endures today throughout popular culture. Less than two years after the 1931 film’s release, Walt Disney featured the monster in 1933’s Mickey’s Gala Premier, and since then in countless cartoons, dozens of films, and a television series. From what I can gather, comic portrayals of the monster are far more common than ones involving horror themes…

THE BAT PACK…Clockwise, from top left, 1933’s Mickey’s Gala Premier featured Frankenstein’s monster with pals Dracula and the Werewolf; Daffy Duck conducts an interview in 1988’s The Night of the Living Duck; the monster makes an expected appearance in the first season of Scooby-Doo (A Gaggle of Galloping Ghosts 1969); and the monster has appeared as a regular in four Hotel Transylvania films. (Wikipedia/Pinterest)
A FAMILIAR FACE…Frankenstein’s monster has also appeared in dozens of films, a TV sitcom, and even on a box of cereal. Clockwise, from top left, Fred Gwynne as Herman Munster in NBC TV’s The Munsters (1964-66); Boris Karloff’s original monster makes an appearance on a FrankenBerry cereal box (1987); Peter Boyle as the monster with a different look (but retaining those electrodes) in Mel Brooks’ Young Frankenstein (1974); and Abbott & Costello team up with the monster (Glenn Strange) in 1948’s Abbott & Costello Meet Frankenstein. (Wikipedia/Pinterest/filmforum.org)

It seems I’ve gone down a rabbit hole with this subject, but here’s one more for the holidays: the late Phil Hartman portrayed Frankenstein’s monster in several SNL sketches during the 1988-89 season…

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No Fantasy Island, This

New York’s Blackwell’s Island is probably best known for the asylum where reporter Nellie Bly went undercover in 1887 to expose its horrid conditions. The asylum closed in 1894, but a penitentiary established there in 1832 remained in operation for more than a century. When journalist Robert Littell (1896-1963) visited the island in 1931 for “A Reporter at Large” column, he found it was still occupied by workhouses and a penitentiary — a place where the city still sent it “undesirables.” Littell, a former associate editor of the New Republic and a drama critic for various New York newspapers, described the island’s gray, grim appearance and the “ugly old buildings, model 1858” that contained its sorry residents. An excerpt:

BY ANY OTHER NAME…Called “Minnehanonck” by the Lenape Tribe and “Varkens Eylandt” (Hog Island) by New Netherlanders, this East River island was dubbed Blackwell’s Island during colonial times, and that was the dreaded name referred to by reformers who decried the horrifying conditions of its “Lunatic Asylum,” workhouses and penitentiary in the 19th and early 20th centuries. Renamed Welfare Island in 1922, its prison can be seen in a 1931 photo (top) and in an interior shot from the 1920s. In 1973 the island was renamed Roosevelt Island in honor of Franklin D. Roosevelt and redeveloped with housing for more than 20,000 residents. (AP)

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Outshining the Sordid

Architecture critic Lewis Mumford also mentioned Welfare Island in the Dec. 12 issue, but only as a reference point to view the new Cornell Medical Centre, which he found “indisputedly exhilarating.” Note the final lines of this excerpt, and how Mumford took a not-so-subtle swipe at New York architecture firms.

Mumford wasn’t alone in his praise. According to a 1933 Architectural Forum article, hospital director Dr. G. Canby Robinson made this observation about the lobby: “the average person should walk through it without noticing it, but the cultured person should be arrested by its beauty.”

HIGH MASS…The hospital in 1954. (Sam Falk/The New York Times)
ABOVE AVERAGE…The main entrance in 1933. (Avery Architectural Library)

NO SHOW…Fr. Charles O’Donnell (left) refused to share the stage at a Knute Rockne Memorial with retired boxer Gene Tunney. (findagrave.com/Wikipedia)

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Silver Bells

A precursor to the New Yorker’s annual holiday poem, “Greetings Friends!” was this entry in the Dec. 12, 1931 issue, written by short-story writer and novelist James Reid Parker

New Yorker cartoonist Michael Maslin has noted an interesting relationship Parker had with cartoonist Helen Hokinson. You can read about it at his lively Ink Spill site.

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From Our Advertisers

We kick off our ads with another entry from Condossis cigarettes…these will continue to the end of the year and beyond, but I won’t run them all…

…I liked this Rex Cole ad because it placed its very architectural refrigerator in the midst of the city…

…as the company did in the physical realm…this Rex Cole showroom was in Queens…

…with the holidays in full swing, we see ads for the kiddies…

…and for the grown-ups, again exchanging Champagne bottles filled with scarves and socks rather than bubbly, thanks to Prohibition (which still had two years to go)…

…maybe a game could distract you from your forced sobriety, such as table-top bowling…note the drawing of J.P. Morgan, which looked very similar to Peter Arno’s Major…

…here’s an advertising ploy no longer used today (at least not overtly)…

…and on to our cartoons, beginning with Gardner Rea

…this odd little political cartoon was contributed by Otto Soglow, who vaguely anticipated trouble ahead in the international sphere…

…I remember seeing this familiar trope in old movies and 60s sitcoms…John Reehill gave us his rendition here…

…and we close with William Steig, and an after-hours close encounter…

Next Time: The Mouse That Roared…

 

Published by

David O

I read and write about history from the perspective that history is not some artifact from the past but a living, breathing condition we inhabit every moment of our lives, or as William Faulkner once observed, "The past is never dead. It's not even past." I read original source materials, such as every issue of The New Yorker, not only as a way to understand a time from a particular perspective, but to also use the source as an aggregator of various historic events. I welcome comments, criticisms, corrections and insights as I stumble along through the century.

One thought on “Mosher’s Monster”

  1. I grew up across the river from Welfare island,never had any reason to go there.What would be the point?I never ever saw a single person on it,nothing ever moved there.
    No wait,I did once see a truck moving down a street.

    Like

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