While many Americans partied through the Roaring Twenties, there were a few voices out there, barely audible, that warned of economic collapse and another world war.

The humorist and New Yorker contributor Frank Sullivan was among the few who took notice of the dire predictions (of war, anyway) and turned it into a funny take on how a European war might unfold. Excerpts:
Sullivan’s last line is a wordplay on “air,” and not likely a prediction of the horrible firebombing and V-2 attacks that would devastate Europe in the following decade.
In Sullivan’s day two notable predictions of war came from British economist John Maynard Keynes and British author Hector Charles Bywater. In his 1919 book, The Economic Consequences of the Peace, Keynes warned that “unstable elements,” destroyed during the Great War (WWI), had not been replaced with more stable networks or institutions. Bywater’s prescient 1925 novel, The Great Pacific War, featured a hypothetical future war between Japan and the U.S. that predicted a number of events in World War Two’s Pacific Theatre.

There were reasons for Keynes to be concerned. Germany found many ways to subvert restrictions imposed by the Treaty of Versailles, and continued to make technological advances in armaments and air power. Moreover, the Treaty’s humiliating terms and demands for costly reparations would lead to a rise in German nationalism in the midst of mass unemployment and a volatile economy. In just a little over a year Adolf Hitler and his Nazi Party would seize control of the German state.
And as Bywater feared, the Japanese invaded Manchuria (under false pretenses) on Sept. 18, 1931, and then ignored orders to withdraw from the League of Nations (which had been established by a covenant included in the Treaty of Versailles). Japanese warlords were emboldened by the ease of this takeover and the toothless response from the international community. This scenario would be replayed by the Nazis when they invaded Czechoslovakia in 1939.

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The Man Who Would Not Be King
The world that was gradually setting the stage for World War II was also the world of Edward VIII, the Prince of Wales. A renowned womanizer and major disappointment to his father, George V, this heir to the British throne would begin a secret affair with American socialite Wallis Simpson that would later lead to his abdication as king after a reign of just 326 days. In a two-part profile, the New Yorker’s London correspondent Anthony Gibbs could already see that Edward would not be like other monarchs, this lonely “fish out of water” bored with court protocol and finding escape in a bottle of whisky. Excerpts from Part I (caricature by Al Frueh):

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From Our Advertisers
The opening of the new Waldorf-Astoria Hotel on Park Avenue had everyone and their dog getting in on a piece of the action, including manufacturers who hoped to associate their wares with the world’s tallest hotel…we begin with an ad from the hotel’s promoters…
…I surprised to find pedestrian products such as rayon curtains and aluminum chairs associated with the luxury hotel…
…but perhaps the novelty of these things made them “must-haves” associated with modern living in 1931…this ad from the Oct 10 issue…
…one habit of modern living was cigarette smoking, and thanks to aggressive advertising droves of women were joining the menfolk in this activity…
…Camels were originally promoted as a woman’s cigarette, and in 1931 R.J. Reynolds shifted their ad style from chic illustrations of disinterested, continental types, such as the one below by Carl Erickson from the March 21, 1931 issue (and imitated by the Spud ad above)…
…to photographs of fresh-faced American women…
…Barney’s ran this recurring ad (with illustration by Peter Arno) in the back pages of the New Yorker, the latest touting the reopening of Barney Gallant’s “continental cabaret”…

…New Yorker cartoonist William Crawford Galbraith picked up some extra income illustrating this ad for The New York American…
…which segues into our cartoons, beginning with Alan Dunn and the art of the dance,
…Barbara Shermund, who showed us that a war (movie) is hell…
…William Steig continued to develop his repertoire of cartoons with precocious children…
…Kemp Starrett gave us a salesman who put more than his foot in the door…
…James Thurber continued his ongoing “dialogue” between the sexes..,
…William Crawford Galbraith again, with his take on “Upstairs, Downstairs”…
…Rea Irvin also exploring the theme in this two-page spread (click to enlarge)…
…and we end with another by Kemp Starrett, and the blasé attitude New Yorkers might display before the world’s tallest building…
Next Time: The Wayward Press…