The Wages of Beauty

“The Very Golden Apple” was the title of an essay by E. A. Tosbell in the Sept. 3, 1927 issue that examined the transformation of the Miss America pageant–just seven years old–into a big money concern.

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September 3, 1927 cover by Theodore G. Haupt.

Tosbell opened with the lament that Miss Los Angeles, Adrienne Dore, should have won the 1925 contest save for a lapse in table manners…

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PASS THE SALT, PLEASE…Adrienne Dore, left, was runner-up to fellow Californian Fay Lanphier, who was crowned Miss America in 1925. Dore would go on to a modest movie career through the mid 1930s. (Allure/Corbin)
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ALL-AMERICAN LINE-UP…Contestants from a hodge podge of states, cities and towns vied for the Miss America crown in 1925. (Wikipedia) Click to Enlarge

Tosbell offered us a taste of what contestants could expect upon their arrival in Atlantic City…

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Norma Smallwood from Tulsa, Oklahoma was crowned Miss America 1926, the first Native American to capture the title. Smallwood was highly criticized in the press for her business savvy as she went on to earn $100,000 through personal appearance fees and product endorsements. Tosbell noted:

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THERE SHE GOES…Norma Smallwood of Tulsa, Oklahoma was crowned Miss America 1926 by “King Neptune” as Miss America 1925 Fay Lanphier (right) held her scepter. (missamerica.org)

In 1927 Smallwood would again draw criticism when she requested $600 from the pageant for her appearance in crowning the new winner, Lois Delander. Delander was a high school student who won her local contest in Joliet, Illinois by reciting Bible verses. Unlike her predecessors, Delander turned down lucrative offers in show business and returned home to continue her school studies.

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IT’S NICE, BUT…Lois Delander of Joliet, Illinois was a most unassuming Miss America of 1927.

In the case of a 1922 Miss America contestant, Georgia Hale, you didn’t have to win the pageant to make it to the Big Time. Hale was chosen by Charlie Chaplin to be his “leading lady” in 1925’s The Gold Rush, and in the following year she would play Myrtle Wilson in the first filmed version of The Great Gatsby. A savvy businesswoman, Hale would become wealthy through real estate investments in Southern California.

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SHE STRUCK GOLD…Georgia Hale and Charlie Chaplin in The Gold Rush, 1925. (Wikimedia Commons)

*  *  *

The September 3 “Talk of the Town” offered some insights into the dressing habits (and tardiness) of New York’s dandified mayor, Jimmy Walker, who was preparing for an overseas journey. Excerpts:

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GOTHAM’S CLOTHES HORSE…New York City Mayor Jimmy Walker during a visit to Boston in the late 1920s. (voxart)

The New Yorker continued its commentary on the changing city skyline as urban residences continued their skyward climb, including the oddly named Oliver Cromwell apartment hotel:

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An advertisement in the same issue touted the Cromwell’s serene, park-like setting:

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There were numerous advertisements like these in the New Yorker. Another promoted the Beverly’s sky-high “wind-swept terraces…”

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The Beverly today (now the Benjamin Hotel). The 30-story building was designed by Emery Roth with Sylvan Bien and built in 1926-27. Commissioned by Moses Ginsberg to host middle-income visitors to New York City, it was recently submitted for landmark designation as an important fixture in Grand Central Terminal’s “Hotel Alley.” (Historic Districts Council)

 *  *  *

On to the Sept. 10, 1927 issue, and a couple of cartoons that aptly represented the spirit of Roaring Twenties…

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Sept. 10, 1927 cover by Theodore G. Haupt.

…Johan Bull offered a glimpse of the new rich in the realm of culture…

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…while Carl Rose captured the spirit of investors during the waning days of the red hot 1920s stock market…

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Next Time: The Thurber Effect…

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Published by

David O

I read and write about history from the perspective that history is not some artifact from the past but a living, breathing condition we inhabit every moment of our lives, or as William Faulkner once observed, "The past is never dead. It's not even past." I read original source materials, such as every issue of The New Yorker, not only as a way to understand a time from a particular perspective, but to also use the source as an aggregator of various historic events. I welcome comments, criticisms, corrections and insights as I stumble along through the century.

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