The passing of Schultz, the head of New York’s claque, was noted in “The Talk in Town” for May 9, 1925. A “claque” is simply a group of people hired to either applaud or heckle a performer, usually in theater or opera, but in the case of Schultz (he was only known by his surname) his claques were known for being heavy handed.
“Talk” continued its reporting on the comings and goings of the writer Dikran Kouyoumdjian, better known by his pen name, Michael Arlen. Exhausted from a busy social schedule (“no visitor has been so lionized since the Prince of Wales”), Arlen had retreated to Farmington to work on a play.
With Madison Square Garden slated for demolition, it was reported that the Diana figure atop MSG’s Italianate tower was to be relocated to the NYU campus. “Talk” noted that the Diana was the only nude ever completed by famed sculptor Augustus Saint-Gaudens. The statue is now at the Philadelphia Museum of Art, and a copy is in New York’s Metropolitan Museum of Art.
At the time, the NYU campus was largely based on a design by Stanford White, also the architect of the soon-to-be demolished Madison Square Garden. “Talk” noted that although the manner of White’s death put him “in a poor light among his puritanical countrymen,” many “courageous men” including Saint-Gaudens strongly defended White as a kind, unselfish and loyal friend.
Let’s step back about twenty years for bit more on Stanford White: He was a founding partner of the architectural firm McKim, Mead & White. Although many considered him witty, kind, and generous, he also had the reputation of a middle-aged serial seducer of teenage girls. White’s desire for Evelyn Nesbit, a popular chorus girl and model, would be his undoing.
On June 25, 1906, White attended a premiere performance of Mam’zelle Champagne at a garden theatre he had designed on the rooftop of Madison Square Garden. Ironically, during the show’s finale, “I Could Love A Million Girls”, Nesbit’s jealous husband, Harry Thaw, shot White three times, point blank.
It was reported that the initial reaction from the crowd was cheerful, since elaborate party tricks were common among the upper classes of New York society. Hysteria would however ensue.
Thaw would be found not guilty by reason of insanity, and would be plagued by mental illness until his death in 1947. Nesbit, who was present at the theatre the night of the shooting, would eventually divorce Thaw. She would go on to a modest career in vaudeville, film and even burlesque (when she was in her fifties). She moved on to a quieter life after World War II and died in 1967 at age 82.
“Profile” examined the life of “Ashcan School” painter George Luks, while this blurb in “Of All Things” gave us a glimpse of things to come:
On a lighter note, we end with comic commentary on the Liquor Commission’s attempt to lock out patrons of New York’s speakeasies: