Over his head hangs a sword that was forged in the Californian sunshine of the cold metal that entered the souls of the native sons when they lived in Kansas, Iowa and Nebraska. It is the sword of righteousness, the flaming blade of moral indignation.
The New Yorker, in its modesty of the times, refers to the “trouble” as Chaplin’s home life, which “has been a trifle irregular.” The magazine was referring to his sudden and secretive marriage to a much younger woman, Lillita McMurray.
According to the website The Artifice, Lillita McMurray was Chaplin’s second and youngest wife (he had four in all). In 1920 McMurray landed a small role as a “flirting angel” in Chaplin’s The Kid. When she landed another small role in The Gold Rush four years later (changing her name to Lita Grey) a serious relationship between Grey and Chaplin developed. Grey, just barely 16, soon became pregnant, and Chaplin, seeking to prevent scandal (and possible criminal charges), secretly married Grey in Mexico (She gave birth soon after to Charles Chaplin Jr. on May 5, 1925).
Not surprisingly, Chaplin was uncooperative with the story-hungry media, which The New Yorker noted took revenge by casting Grey as a innocent victim of a “rapacious roué.”
The The New Yorker noted that the California Women’s Clubs called for a boycott of Chaplin films, and even the famed L.A. theatre proprietor Sid Graumann bowed to their pressure and cancelled his booking for The Gold Rush (which the “Talk” writer calls an “extraordinarily good comedy”).
The magazine observed that it was the goal of Chaplin’s detractors to drive him out of the movies—“That way lies Fatty Arbuckle” (alluding to sex scandal that destroyed the career of one of the most beloved silent film stars three years earlier).
A footnote: Chaplin’s marriage to Grey soon crumbled, and a divorce was granted August 22, 1927. According to The Artifice, it was a bitter, public ordeal with rumors of affairs and sexual misconduct clouding Chaplin’s fame and reputation. In the end, Grey was awarded a massive $600,000 settlement and $100,000 for each child. After the scandal Grey became reclusive and was featured in only a few small films before her death on Dec. 29, 1995.
Another item of note in the March 21 issue: a review Arrowsmith by Sinclair Lewis (“good, but not as good as Babbitt”).
And how about a little cartoon to end our segment on the March 21, 1925 issue: