Beauty and the Beast

One of Hollywood’s most famous motion pictures was a story about a giant ape that (literally) falls for a beautiful woman.

March 11, 1933 cover by Rea Irvin.

New Yorker film critic John Mosher found the premise of King Kong ridiculous, but he also found many of its scenes diverting, especially those featuring Kong and a number of prehistoric creatures (created by Marcel Delgado), miniature models brought to life through stop-motion animation techniques pioneered by Willis O’Brien and his assistant, Buzz Gibson. Mosher’s review:

THE TRIALS OF GIANT APEHOOD…King Kong battled nature and man in the eponymous 1933 film that featured a silly love story between actors Bruce Cabot and Fay Wray (lower right, with Robert Armstrong); this being a pre-Code film, Wray had trouble keeping on her blouse, although a scene depicting Kong undressing her and sniffing his fingers was cut, as were some of the more gruesome scenes featuring Kong stomping and chomping his way through Manhattan. (IMDB)

By today’s standards the film’s special effects are quite dated, but they astonished audiences in 1933 and again in a 1952 re-release.

NEW YORK OR BUST…A huge bust of King Kong’s head and torso was fashioned from wood, cloth, rubber and bearskin by Marcel Delgado, Buzz Gibson and Fred Reese. Three operators inside the bust used metal levers, hinges, and an air compressor to manipulate the mouth and facial expressions. In addition, two versions of the ape’s right arm were constructed of steel, rubber and bearskin — one was non-articulated, mounted on a crane, and the other had articulated fingers that allowed Kong to grasp Fay Wray in close-ups (below). A separate non-articulated leg was also mounted on a crane for scenes depicting Kong stomping on villagers. (reddit.com/Pinterest)

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Oh Baby

Before child labor laws were finally enforced in the late 1930s, children were routinely exploited for profit, most famously the Dionne quintuplets by Dr. Allan Roy Defoe, not to mention the many child stars fed into the Hollywood meat grinder. For a public seeking novelty as a distraction from the Depression, there were also numerous “baby orchestras” organized by one Karl Moldrem. “The Talk of the Town” commented:

NURSERY SONGS…One of Karl Moldrem’s baby orchestras assembled in Southern California, 1931. (digitallibrary.usc.edu)

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Edible Art

“The Talk of the Town” has always been a source for light anecdotes, including this brief account of a hungry Vanity Fair photographer:

MMM, PRETZEL ART…Vanity Fair’s edible cover, March 1933. (Vanity Fair Archive)

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Lend Me An Ear

Alexander Woollcott led his “Shouts and Murmurs” column with an account from a recent benefit performance, during which his friend Noël Coward decided to strike up a conversation regarding the survival of the stage in an era of talking films:

TALKING TALKIES… Noël Coward (left) voiced his concerns about the future of stage entertainment with Alexander Woollcott during a benefit performance likely held on behalf of the theatrical world. (npg.org)

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From Our Advertisers

Ah, we begin with signs of spring, glimpsed beyond the gleaming cowl of a 12-cylinder Lincoln…

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…this guy has some spring in his step thanks to the sparkling water he just splashed into his bootleg gin…

…the folks at Dorothy Gray presented a nameless woman (“slim and straight as a gallant boy, yet feminine to her finger tips”) who was ready to greet spring until she saw those “little lines under her eyes”…the horror indeed…

…Coty again presented an attenuated trio in a sexless courtship dance, oozing with anglophilic longing…

…I include this ad solely for the terrific illustration by Mac Harshberger, famed for his elegant, simplified line…

…and a couple of back pagers…thanks to Sonotone, the deafened shall not only hear but will also be stricken by a sudden voiding of the bowels…and below, a surprising ad from the Plaza, one place I never thought would need to advertise…but those were tough times…

…and on to our cartoons, and this spot drawing from Peggy Bacon, whom we haven’t seen in awhile…

Gilbert Bundy took us to a sanctuary of song…

…another day with our fellow citizens, and Gluyas Williams

…one from E. Simms Campbell

…who was the first Black cartoonist published in nationally distributed, “slick” magazines…

…and also the creator of Esky, the pop-eyed mascot of Esquire magazine…

Carl Rose gave us a night at the opera in this two-page cartoon with the Depression-inspired caption: The artists will now pass among you. Anything you can give will be greatly appreciated….

…and James Thurber returned to the nudist colony for another look at the age-old struggle between the sexes…

Next Time: Not Even Funny…

A Slice of Paradise

Lois Long welcomed 1933 by venturing out into the New Year’s nightclub scene…

Jan. 28, 1933 cover by William Steig.

…where she encountered the new Paradise Cabaret Restaurant at Broadway and 49th, where there was no cover charge and not much covering the showgirls, either…

THE GANG’S ALL HERE…Everyone from gangsters to sugar daddies (and a number of New Yorker staffers) took in the sights and sounds of the Paradise Cabaret Restaurant (shown here in 1937). (Pinterest)
THE SPIRIT OF NEKKIDNESS, as Lois Long put it in her “Tables for Two” column, could be found at the Paradise Cabaret Restaurant: clockwise, from top left, marquee on the corner of the Brill Building advertises a 1936 appearance of the comedy team of Dewey Barto and George Mann (photo by George Mann via Flickr); menu cover made it clear that food was not the main attraction at the Paradise; a 1933 poster advertising “a Galaxy of Stars”; a 1943 “Paradise Girls” poster; circa 1930s matchbook; circa 1930s noisemaker. (Flickr/picclick/Pinterest)
THE LONG AND SHORT OF IT…known as the “laugh kings” of vaudeville, the comedy team of Barto and Mann rehearse at the Paradise in 1936. Their humor played on their disparities in height — Barto was under 5′ and Mann was 6’6″. If Mann (top right) looks familiar, later in life he portrayed “King Vitaman” in commercials for the breakfast cereal of the same name. As I recall it tasted like Cap’n Crunch. (Wikipedia)

While Mann went on to become King Vitaman, another Paradise performer, 16-year-old Hope Chandler, found the love of her life while performing in next-to-nothing at the Paradise…

SHE WAS ONLY SIXTEEN…Hope Chandler’s photo (right) was featured on the Dec. 20, 1937 cover of LIFE Magazine, which proclaimed the 16-year-old as the “Prettiest Girl in Paradise”. Photo at left was included in the magazine article. (Twitter)

…namely the 22-year-old son of William Randolph Hearst, who spotted Chandler during one of his visits to the Paradise. David Whitmire Hearst married Chandler in 1938 and they lived happily ever until his death in 1986.

YOUNG LOVE…David Whitmire Hearst and his new wife, Hope Chandler, after their wedding ceremony in New York, 1938. They would be married 48 years until David’s death in 1986. Hope would remain active in the Hearst organization until her death at age 90 in 2012. (Tumblr)

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Tragic Opera

Yes, the lovers die at the end of Tristan und Isolde, but for New York opera buffs the real tragedy belonged to Samuel Insull (1859–1938), a Chicago utilities magnate responsible for building a new Chicago Civic Opera House in 1929. When Insull’s opera house went bust in 1932, the Met landed two of its principal stars. Robert Simon reported for the New Yorker:

CHICAGO’S FINEST…Soprano Frida Leider (left) and mezzo-contralto Maria Olszewska were stars of the Chicago Opera from 1928 to 1932. When the company went belly-up, the singers headed for New York to appear in a much-acclaimed performance of Tristan und Isolde. (metoperafamily.org)

Insull was a famed innovator and investor who was a driving force behind creating an integrated electrical infrastructure in the U.S. In 1925 he addressed the financial difficulties of the Chicago opera community with a proposal to build a skyscraper with an opera house on the ground floor — he thought the rental of office space would cover the opera company’s expenses. The building was completed in 1929 — the same year as the market crash — and suddenly his grand plan didn’t look so grand.

Then Insull’s companies went under, and he was charged with fraud and embezzlement. He fled to Europe, but in 1934 he was arrested in Istanbul and brought back to Chicago to stand trial. Although he was acquitted, he was left a broken (and broke) man, his $3 billion utilities empire in shambles.

DUELING ARIAS…New York’s rival in the opera scene, the Chicago Civic Opera erected this skyscraper in 1929 with the help of Samuel Insull; a door at the Cook County jail in Chicago is opened for Insull in May 1934, his $3 billion utilities empire in shambles. He was unable to raise the $200,000 bail in fraud charges, which were eventually dismissed; New York’s Metropolitan Opera House in 1909. (classicchicagomagazine.com/Wikipedia)
FAME TO INFAMY…Insull’s appearances on the cover of Time said it all: left to right: issues from November 29, 1926; November 4, 1929; and May 14, 1934. (classicchicagomagazine.com)

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From Land to Sea

The National Auto Show left town to be followed by the annual Boat Show at the Grand Central Palace, featuring boats that were priced to meet the needs of some Depression-era buyers:

CRUISIN’ CRUISETTE…You could buy an Elco Cruisette for just under $3,000 in 1933, but that was roughly equivalent to $64,000 today, so it was still out of reach for most Americans in the 1930s. (Pinterest)

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From Our Advertisers

Yes, the boat show was in town, but automobile manufacturers were still making their points to potential customers including Chrysler, one of the New Yorker’s biggest advertisers in the early 1930s…here’s a two-page spread for the Dodge 8…

…Chrysler’s DeSoto line claimed a luxurious interior that would inspire even regular folks to put on the “haughty air” of a French Duchess…

…on the other hand, the folks at Cadillac went for understatement with this announcement of a limited edition V-16…

…with 16 cylinders under the hood, this thing could really tear down the road, but it was the Depression, and even though this edition was limited to just 400 cars, only 125 were sold…

 

(supercars.net)

…it really bothers me that the Savoy Plaza Hotel (1927) was knocked down in 1965 and replaced by the monolithic GM Building…and look, in 1933 you could get a single room for five bucks a night…

…maybe you’d rather take to the seas on the Hamburg-American Line…

The SS Reliance in 1937. Gutted by fire in 1938, she was scrapped in 1941. (Wikipedia)

…or you could chase away the winter blues in a steaming bath that the folks at Cannon Towels called “almost the ultimate in mortal content”…

…and no doubt a few lit up a Camel or two during their soak…note the tagline “I’d walk a mile for a Camel!”…it was a slogan the brand used for decades…

…I still remember these from when I was a kid…

…on to our cartoons, and we begin with William Crawford Galbraith, still up to his old tricks…

Gilbert Bundy gave this exchange between old mates…

Alan Dunn showed us what happens when you hire a chatty governess…

…in the spirit of the 2022 Winter Olympics, one from George Shellhase

…and we close with James Thurber, and the trials of married life…

Next Time: Belle Geste…