The Age of Innocence

Above: Film stars Dorothy Sebastian (left) and Joan Crawford square off for a game of ping pong in 1925. The umpire is actor Eddie Nugent. (Film Noir Photos)

After studying every page of the first 120 issues of the New Yorker, and after researching the lives of its writers and their subjects, the world as described by the New Yorker — 89 years distant — can seep into one’s imagination, not unlike a world created by a fiction writer, whose characters are very much alive in his or her mind even when the pen is idle. You become accustomed to their voices, their likes and dislikes, and begin to see their world as a contemporary of sorts.

fe856464214bef0718e3c838d3a54ab2
June 4, 1927 cover by H.O. Hofman.

And so I find myself reading a review of Edith Wharton’s “latest” novel, Twilight Sleep, and think not of some author I haven’t read since college, but rather see her work as it was seen at its unveiling, albeit through the eyes of New Yorker book critic Ernest Boyd, who wrote under the pen name “Alceste”:

screen-shot-2016-10-12-at-12-20-20-pm

screen-shot-2016-10-12-at-12-20-45-pm

screen-shot-2016-10-12-at-12-20-56-pm

edith-wharton
NOT DEFEATED BY LIFE…Edith Wharton with her Pekes, circa 1920. (lib guides.com)

Wharton won the Pulitzer Prize for fiction in 1921 for The Age of Innocence, making her first woman to receive the prize. Indeed, Wharton kicked off a great decade for women fiction writers — Willa Cather would win the Pulitzer for One of Ours in 1923, Margaret Wilson for The Able McLaughlins in 1924, Edna Ferber for So Big in 1925, and Julia Peterkin for Scarlet Sister Mary in 1929.

*  *  *

The June 4 issue offered some follow-up items on Charles Lindbergh, this from “The Talk of the Town” regarding Lindbergh’s potential to claim perhaps more than the $25,000 Orteig Prize (about $350,000 today) for being the first to fly nonstop across the Atlantic — endorsements, book and movie deals, offers to serve on company boards, and so on…

screen-shot-2016-10-13-at-9-18-42-am

screen-shot-2016-10-13-at-9-18-48-am

…and from Howard Brubaker’s “Of All Things” column, we learn that the aviation hero doesn’t like to be called “Lucky”…

screen-shot-2016-10-13-at-9-19-10-am

*  *  *

Baseball was still inexplicably shut out from the pages of The New Yorker, even as the Yankees (and Babe Ruth) were having one of their best-ever seasons. Instead, the June 4 issue covered horse racing (pgs. 63-65), rowing (pgs. 66-68), and lawn games (pgs. 69-72).

Among the “lawn games” reviewed, the New Yorker had this to say about the revival of ping-pong and the “spirited matches played between the sexes”…

screen-shot-2016-10-13-at-9-11-38-am

More celebrity action from the 1920s. (Clip from Pinterest)

 *  *  *

82b1f6e20ffd1e39a8e9d0f9da216917
June 11, 1927 cover by Rea Irvin.

In the following week’s issue, June 11, 1927, there was a bit more to say about Lindy’s future economic prospects…

screen-shot-2016-10-13-at-9-35-14-am

…and there is this item about New York Mayor Jimmy Walker. Given his love of late-night parties, speakeasies and chorus girls, it was no wonder that The New Yorker’s editors found him an attractive subject for “Talk of the Town”…

screen-shot-2016-10-13-at-9-33-36-am

Jimmy Walker and Betty Compton after their wedding in Cannes, 1933. (www.isle-of-wight-fhs.co.uk)

screen-shot-2016-10-13-at-9-33-44-am

Of course Walker’s aloofness would have consequences later when scandal and corruption would knock him and his cronies from office.

 *  *  *

The issue also included a profile of golfer Walter Hagen, written by Niven Busch Jr. In his “Portrait of a Dutchman,” Busch begins:

screen-shot-2016-10-13-at-9-38-10-am

The profile included this portrait of Hagen by Miguel Covarrubias:

screen-shot-2016-10-13-at-9-37-53-am

We end with this full-page cartoon, beautifully rendered in Conté crayon by Reginald Marsh

screen-shot-2016-10-13-at-9-37-31-am

Next Time: Coney Island, 1927…

37723304ec91b372ae19e57e36b4d4b9

Party With Gentleman Jimmy

Screen Shot 2015-07-23 at 12.08.59 PM
Nov. 21, 1925 cover by Stanley W. Reynolds.

Mayor Jimmy Walker wasn’t known for being cerebral. But as the voters’ choice to lead the City of New York, he could not have been more well-suited (pun intended) to the zeitgeist of the final, dizzying, roaring years of The Jazz Age.

Walker was a flamboyant man-about-town, a clothes horse who was no stranger to speakeasies or the backroom politics of Tammany Hall.

As Jonathan Mahler wrote in New York magazine (April 1, 2012), Gentleman Jimmy “perfectly embodied that moment of indulgence: the public servant who favored short workdays and long afternoons at Yankee Stadium, who was loath to miss a big prizefight or Broadway premiere, who left his wife and Greenwich Village apartment for a chorus girl and a suite at the Ritz-Carlton.”

Not that there weren’t some concerns. “The Talk of the Town” offered this early observation of the incoming mayor:

Screen Shot 2015-07-24 at 9.38.52 AM

Screen Shot 2015-07-24 at 1.01.10 PM
New York City Mayor Jimmy Walker during a visit to Boston. (Boston Public Library)

Mahler quoted a columnist from Walker’s time, who noted that “No man could hold life so carelessly without falling down a manhole before he is done.” And Walker would fall to scandal by 1932. But we will get to that. For now, it’s party time in Gotham.

The New Yorker continued to have fun with President Calvin Coolidge, publishing this cartoon by Isadore Klein that took a poke at Coolidge’s Thanksgiving Day Proclamation, in which Coolidge spoke at length about the nation’s abundance:

Screen Shot 2015-07-24 at 9.51.44 AM

Talk also reported the latest bootleg prices in “The Liquor Market…”

Screen Shot 2015-07-24 at 9.52.59 AM

“Profiles” examined the life of New York Times owner Adolph Ochs. The writer Elmer Davis observed that “More than any other newspaper owner, he is his paper, and his paper is himself…”

Screen Shot 2015-07-24 at 12.23.11 PM
Detail from a lantern slide depicting Basil Sydney as Hamlet and Charles Waldron as Claudius in the Booth Theatre’s 1925 production of Hamlet in “modern dress.” (Graphic Arts Collection, Princeton)

In “The Theatre,” critic Herman J. Mankiewicz addressed criticisms of the Booth Theatre’s new approach to Hamlet, which was presented “in modern dress.” Mankiewicz wrote that the departure from traditional Elizabethan costumes had brought the play “into the open,” and that Basil Sydney was a “splendid” Hamlet.

In “Books,” reviewer Harry Este Dounce recommended Ford Madox Ford’s No More Parades (“a fine display of virtuoso writing”) and Arthur Schnitzler’s Fraulein Else (“a scintillant little firework”).

tumblr_mqej7s8XOl1qzx4bjo1_1280
Lilyan Tashman, left, and Pauline Starke in Robert Z. Leonard’s Bright Lights, 1925 (Tumblr)

In “Motion Pictures,” Theodore Shane panned the movie Lord Jim (based on the Joseph Conrad novel), but he enjoyed the “simple hokum tale” of Bright Lights and the “restrained” performance of Pauline Starke, “a perfect miniature Gloria Swanson.”

In “Tables for Two,” Lois Long despaired of finding a decent “swank dinner” on a rainy autumn evening, and finally headed to a Viennese restaurant (Frau Greta’s) for some German comfort food. The rain turned to torrents as she then headed out for some nightlife:

Screen Shot 2015-07-24 at 10.19.47 AM

Long concluded her “Tables” column with this peevish note on “grammar:”

Screen Shot 2015-07-24 at 10.21.43 AM

In her other column, “On And Off The Avenue,” Long wrote about the increasing popularity of New Yorkers traveling to Florida for the winter, and in anticipation of the Christmas holiday, offered this advice on what not to give as gifts:

Screen Shot 2015-07-24 at 10.27.34 AM

Screen Shot 2015-07-24 at 10.27.47 AM

In her report from Paris, Janet Flanner commented on the popularity of Josephine Baker at the Champs Elysees Theater:

Screen Shot 2015-07-24 at 12.09.00 PM

Josephine Baker in 1927. (Wikimedia Commons)

Flanner also commented on the growing appreciation of paintings by Henri Rousseau, who just a decade or so earlier was considered something of a joke among art circles:

Screen Shot 2015-07-24 at 12.09.43 PM

60.1583
Henri Rousseau’s The Football Players, 1908. Today even Rosseau’s lesser-known works are valued in the millions (Wikimedia)

And finally, Julian de Miskey’s take on The Big Game:

Screen Shot 2015-07-24 at 9.58.04 AM

Next Time: A Debutante’s Diatribe…

Screen Shot 2015-07-24 at 9.36.48 AM