<?xml version="1.0" encoding="UTF-8"?>
<!-- generator="wordpress.com" -->
<urlset xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.sitemaps.org/schemas/sitemap/0.9 http://www.sitemaps.org/schemas/sitemap/0.9/sitemap.xsd"
	xmlns="http://www.sitemaps.org/schemas/sitemap/0.9"
	xmlns:news="http://www.google.com/schemas/sitemap-news/0.9"
	xmlns:image="http://www.google.com/schemas/sitemap-image/1.1"
	>
<url><loc>https://newyorkerstateofmind.com/2026/10/01/through-the-looking-glass-darkly/</loc><news:news><news:publication><news:name>A New Yorker State of Mind</news:name><news:language>en</news:language></news:publication><news:publication_date>2026-10-01T19:23:27+00:00</news:publication_date><news:title>Through the Looking Glass, Darkly</news:title><news:keywords>Rea Irvin, Helen Hokinson, Peter Arno, Barbara Shermund, E.B. White, Alan Dunn, Carl Rose, Otto Soglow, Leonard Dove, Victor de Pauw, John Mosher, Margaret Bourke-White, Richard Decker, William Cotton, Daniel &#039;Alain&#039; Brustlein, Charles Addams, Johnny Roventini, Christina Malman, Richard Taylor, Morris Bishop, Television 1930s, Life magazine 1936, Call for Philip Morris, The Struggle, Kämpfer 1936, Soviet cinema 1930s, Lotte Loebinger, Tommy Hitchcock, Margaret Sommerfeld illustrator, Arthur Getz, Trans-Lux theaters</news:keywords></news:news><image:image><image:loc>https://newyorkerstateofmind.com/wp-content/uploads/2026/09/screenshot-2026-09-22-at-2.24.33-pm.png?w=150</image:loc></image:image></url></urlset>
